The Barnyard Battle - 1929

(Source: vintagemickeymouse)

120 notes

wehadfacesthen:

via lucynic83:
Norma Shearer photographed for He Who Gets Slapped, 1924

wehadfacesthen:

via lucynic83:

Norma Shearer photographed for He Who Gets Slapped, 1924

83 notes


Margo Channing was a woman I understood thoroughly. Though we were totally unalike, there were also areas we shared. The scene in which — stuck in the car — Margo confesses to Celeste Holm that the whole business of fame and fortune isn’t worth a thing without a man to come home to, was the story of my life. And here I was again — no man to go home to. The unholy mess of my own life — another divorce, my permanent need for love, my aloneness. Hunched down in the front of that car in that luxurious mink, I had hard work to remember I was playing a part. My parallel bankruptcy kept blocking me, and keeping the tears back was not an easy job.

Margo Channing was a woman I understood thoroughly. Though we were totally unalike, there were also areas we shared. The scene in which — stuck in the car — Margo confesses to Celeste Holm that the whole business of fame and fortune isn’t worth a thing without a man to come home to, was the story of my life. And here I was again — no man to go home to. The unholy mess of my own life — another divorce, my permanent need for love, my aloneness. Hunched down in the front of that car in that luxurious mink, I had hard work to remember I was playing a part. My parallel bankruptcy kept blocking me, and keeping the tears back was not an easy job.

59 notes

Roger O. Thornhill: Master of concealment.

82 notes

classicmoviefanproblems:

The fear of losing Kirk Douglas.                                                                                  

Submitted by: lavendar-and-creme

classicmoviefanproblems:

The fear of losing Kirk Douglas.                                                                                  
Submitted by: lavendar-and-creme

7 notes

collective-history:

1. Strategic alliances

For the Anglo-Saxons and Britain’s early tribal groups, marriage was all about relationships - just not in the modern sense. The Anglo-Saxons saw marriage as a strategic tool to establish diplomatic and trade ties, says Stephanie Coontz, author of Marriage, A History:…

(Source: BBC)

15 notes

vintagesonia:

Claudia Cardinale and Federico Fellini on the set of 8 1/2 (1963). Photographed by Phil Stern

vintagesonia:

Claudia Cardinale and Federico Fellini on the set of 8 1/2 (1963). Photographed by Phil Stern

30 notes

“We’re Margaret Garrett, we can do whatever we want to do.. yek yek yek yek yek yek”

9 notes